摘要
十九世纪,马奈作品《奥林匹亚》艺术语言的革新引发了评论界极大的关注。针对画作表现出有悖于传统的人文理念及绘画技法的现代性表达,评论界进行了多元视角的艺术批评。本文立足十九世纪国外学者的经典论述,分别对以爱弥儿·左拉为代表的"画作形式的批评"、以贡布里希为代表的"绘画史角度的批评"、以米歇尔·福柯和迈克尔·弗雷德为代表的"画作与观者联系的批评"和以提莫尼·J·克拉克为代表的"阶级与意识形态的批评"进行观点综述,总结西方评论界十九世纪以来的研究成果和讨论的热点问题,为进一步的研究提供基础。
In the 19 th century, the innovation of the art language of Manet’s OLYMPIA aroused great concern in the critics. In view of the modern expression of the painting, which is contrary to the traditional humanistic ideas and painting techniques, the critics have carried out the artistic criticism from a pluralistic perspective. Based on the classical exposition of foreign scholars in the 19 th century, this paper refers to the "criticism of painting form" represented by Emile Zola, the "criticism of the perspective of painting history" represented by Gombrich.E.H., the "criticism of the connection between paintings and viewers " represented by Michel Foucault and Michael Fred, and the "criticism of class and ideology" represented by T.J. Clark, then provides a summary of views and also summarizes the research achievements and hot issues discussed by the Western critics in the 19 th century which provides a basis for further research.
出处
《上海视觉》
2019年第2期12-18,共7页
Shanghai Vision
