摘要
审美方法的逻辑起点是主体的多样化感觉活动,它构成审美活动的心理基础和精神条件。联想是审美方法的必要中介和关键桥梁,它担当美感的生成和提升的功能。主体的阐释活动则是审美方法的最终归宿和最高境界,综合了感觉、联想、理智等功能,采取还原性阐释、哲理性阐释和诗意阐释等方法,是主体的审美活动的最终形态和完满构成。
The logical starting point of aesthetic method is the diversified sensory activities of the subject, which constitutes the psychological basis and spiritual conditions of aesthetic activities. Association is the necessary intermediary and key bridge of aesthetic method, which plays the role of generating and promoting aesthetic feeling. The interpretation of the subject is the ultimate destination and the highest realm of the aesthetic method. It integrates the functions of sensation, association and reason, adopts the methods of reductive interpretation, philosophical interpretation and poetic interpretation, and is the final form and perfect composition of the aesthetic activity of the subject.
作者
颜翔林
YAN Xiang-lin(School of Humanities,Taizhou College,Taizhou,Zhejiang 313000,China)
出处
《湘潭大学学报（哲学社会科学版）》
CSSCI
北大核心
2020年第1期158-162,190,共6页
Journal of Xiangtan University:Philosophy And Social Sciences
基金
国家社会科学基金项目“审美范畴研究”(15BZW026)阶段性成果之一
关键词
感觉
联想
阐释
主体
审美方法
sensation
association
interpretation
subject
