摘要
从当代建筑回归结构的现象入手,以"裸露"比拟表皮被剥除、抹干净和反装饰的建筑现象。"裸露"的建筑关注建筑本体的结构表现,从建构视角查看19世纪的"饰面"理论与结构理性主义,研究浪漫"饰面"、结构理性与当代建筑表皮、结构的关系。通过追溯延续结构理性的"裸露"建筑历史,揭示当代"裸露"建筑特征。此次回归不仅仅停留在结构理性,而是更关注以人为主体的结构空间体验。
Beginning with the phenomenon of contemporary architecture returning to structure, we compare the architectural phenomena of skin stripping, wiping and anti-decoration with "naked". The analysis of "naked" is concerned with the structural expression of ontology in architecture. The "dressing"(Bekleidung)theory and structural rationalism in 19 th century are observed from the perspective of tectonic, so as to research their relationships with the skin and structure of contemporary architecture. Looking back to the history of naked architecture which continuing structural rationality, the features by now are checked out. This return not only confined to structural rationality, but also more focused on human oriented structural spatial experience.
出处
《华中建筑》
2020年第1期10-15,共6页
Huazhong Architecture
关键词
结构理性
裸露建筑
建构视角
Structural rationality
Naked architecture
Perspective of tectonic
