摘要
文章从赫尔佐格与德穆隆早期和近期作品的差别引入,探讨该事务所对建筑表皮态度的演变过程和缘由。以理论和案例互相印证,介绍了赫尔佐格与德穆隆从关注表皮材料的表达发展到醉心于表皮装饰的奇观性和诱惑力,再到近期返回结构、空间、装饰整合的倾向。指出赫尔佐格与德穆隆从早期华丽的外衣到近期无形的"新衣"的转变其实是基于一种不变的精神,即对建筑本原的追求。
This article begins with the stark contrast between the early works and the recent works of Herzog ＆ de Meuron, and continues to investigate the reasons behind their shift in attitude towards the building skin. Cross-referencing between theories and projects, it follows the development of Herzog ＆ de Meuron from its early focus on the expression of surface materials to the later obsession with the spectacular and seductive quality of ornamental skins, then to the recent tendency of integrating structure, space, and ornament. The conclusion is that the shift from the early glamorous dressing to the recent nakedness comes from a never-changing attitude： the pursuit of the origin of architecture.
出处
《城市建筑》
2016年第10期21-27,共7页
Urbanism and Architecture
