摘要
《带灯》延续着贾平凹关注农村问题的创作主题,同时有意识地进行叙事视角实验。小说中插入24封短信,造成全知视角与内视角的转换,带来叙述人称的变化。主要从叙事学的角度、人物形象的丰富、文本思想的深化三个方面,分析《带灯》叙事视角转换的作用,以及两种视角转换下语言风格的不同。尽管视角的转换造成文本表层的断裂,却构成叙事层面与话语层面的张力。
Dai Deng continues Jia Pingwa's theme of focusing on rural issues while consciously experimenting with narrative perspectives.Twenty-four short messages insert in the novel,which results in the conversion of omniscient perspective and internal perspective and brings about the change of the narrator.This paper mainly analyzes the role of the conversion of narrative perspective in Dai Deng from the narrative perspective,the enrichment of characters and the deepening of textual thoughts,and the differences of language styles under the conversion of two perspectives.Although the change of perspective causes the rupture of the surface of the text,it constitutes the tension between narrative level and discourse level.
作者
刘艮艮
LIU Gengen(School of Liberal Arts,Anhui Normal University,Wuhu 241000,China)
出处
《皖西学院学报》
2019年第6期72-75,93,共5页
Journal of West Anhui University
关键词
《带灯》
叙事视角
语言
Dai Deng
narrative perspective
language
