摘要
以改革开放为标志性历史节点,新中国70年电影艺术的发展历程可以被粗略地划分为改革开放前和改革开放后两大阶段。在这70年的发展中,新中国电影不仅在政治、经济、社会、文化等领域发挥着全方位的影响力,还以其独特的民族化风范、现实主义风格及多样化的创新探索,构建着具有中国特色的电影艺术美学体系,为新中国在世界电影舞台上赢得了声誉;但走过70年发展历程的中国电影依然存在许多矛盾和难题,突出体现在如何处理"教"与"乐"、"计划"与"市场"、"传统/中国/主体性"与"现代/世界/多样性"等几组关系的问题上。辩证地看待这些关系问题,才能避免其走向偏执状态,从而步入健康、融合发展的轨道;站在新的历史方位上,中国电影要实现从"电影大国"向"电影强国"的飞跃,还应始终与国家经济社会战略发展的步伐保持一致,努力提升中国电影的文化软实力,为建设社会主义电影强国与文化强国做出新时代中国电影的新贡献。
Taking the Reform and Opening-up as a symbol historical point,we could roughly divide the new China’s film art in the past 70 years into two stages:before and after the Reform and Opening-up.In the development of 70 years,the new China’s films not only fully influenced the politics,economy,society,culture and other related fields,but also constructed films’artic aesthetics with Chinese characteristics.These are unique national styles,realism and diversified innovations and they make new China’s films win a reputation in the world.However,after the development of 70 years,Chinese films still have many contradictions and problems,namely how to deal with the relationship between"teaching"and"fun","planning"and"market","tradition/China/subjectivity",and"modern/world/diversity".Only considering these relationships dialectically can we avoid bigoted state and enter a healthy,integrated and developmental track.In a new historical position,Chinese films should transformed from"big film country"to"strong film country".Also,it is necessary for Chinese films to keep pace with the development of national economic and social strategies,to improve the cultural soft power of Chinese films,and to make new contributions to the building of a socialist country of strong films and culture.
作者
胡智锋
陈寅
Hu Zhifeng;Chen Yin(Beijing Normal University,Beijing,100875)
出处
《民族艺术研究》
CSSCI
2019年第6期5-16,共12页
Ethnic Art Studies
关键词
中国特色电影体系
电影的功能
电影民族美学
电影产业发展
film system with Chinese characteristics
functions of films
ethnic aesthetics of films
film industry development
