摘要
亚洲作为方法的思考方式为理解亚洲电影在国际舞台中所起到的独特作用开启了全新的路径。海外学术界围绕亚洲电影所进行的研究,对于亚洲电影主体性的建构起到了参照系与外部催化的重要作用。亚洲电影是具有不同文化传统的多元主体组成的集合,具有其内在的多样性。我们应该以超越和多元异质的研究视角,考察亚洲电影与民族电影、第三电影、好莱坞电影之间的关系,进而形成一种开放、动态的批判性亚洲电影研究话语,推进亚洲电影的主体性建构与多元转化。
The way of thinking Asia as a method opens up a new path to understand the unique effect of Asian Cinema(s) at the international stage. The pluralistic studies carried out by global academic circles around Asian Cinema(s) plays an important role in the reference frame and external catalysis for the construction of Asian Cinema’s subjectivity. Asian Cinema(s) is a combination of multi-subject with different cultural traditions, which has its inherent diversity. We should form an open and dynamic critical Asian Cinema(s) discourse from a transcendental and multiple heterogeneous research perspectives through multiple interactions between Asian Cinema(s) and World Cinema, National Cinema, Third Cinema, or Hollywood Cinema, and advance the progress of subjective construction as well as multi-transformation of Asian Cinema(s).
作者
石嵩
丁明瑾
Shi Song;Ding Mingjin
出处
《电影艺术》
CSSCI
北大核心
2019年第6期17-24,共8页
Film Art
关键词
海外亚洲电影研究
作为方法
主体性建构
多元转化
oversea studies on Asian cinema(s)
as a method
subjectivity construction
multi-transformation
