摘要
乾嘉年间的乐律学研究受复古学术主潮的影响,达到了音乐学史上又一次高峰.清儒们通过考证先秦汉唐流传下的文献,力图还原古代的乐律、乐制及乐器.江藩《乐县考》就成于此时.江藩借助乐律研究,张扬“宗郑”复古的治学理想,用一种特殊的方式表达自己的学术企图.江藩认可并接续凌廷堪“今乐可通于古乐”的乐律研究构想,将乐律学研究重点转移至古乐器层面,完善了乾嘉乐律学研究体系.江藩努力建构古乐与今乐间的联系,不仅为此后从事音乐考据的学者示以了研究门径,还为后人缘何要继续深入古乐研治提供了理论支持.
The research of temperament during the reign of emperor Qianjia reached another peak in the history of musicology under the influence of the ancient academic ideological trend.Researchers in Qing dynesty tried to restore the ancient music rhythm,music system and musical instruments by textual research on the literature handed down from the pre-Qin,Han and Tang dynasties.JIANG Fan's Yuexian Kao is finished in such time.With the help of the study of temperament,JIANG Fan publicized the ancient ideal of"Zongzheng"and expressed his academic attempt in a special way.JIANG Fan accepted and continued LING Ting-kan's idea of"modern music can be connected to ancient music",and transferred the research focus to ancient instruments,thus improving the research system of Qianjia music.
作者
王祥辰
许建中
WANG Xiang-chen;XU Jian-zhong(School of Literature,Yangzhou University,Yangzhou,Jiangsu 225002)
出处
《艺术百家》
CSSCI
北大核心
2019年第4期107-111,共5页
Hundred Schools In Arts
关键词
江藩
乐律学
《乐县考》
复古
凌廷堪
汉学
JIANG Fan
Temperament
Yuexian Kao
Restore Ancient Ways
LING Ting-kan
Han Research
