摘要
招子庸的名字与粤讴紧密关联,他虽不是第一个创作粤讴的人,但却是粤讴这种粤语俗唱体裁得以创立的标志性人物。他辑录《越讴》一书,为后世粤讴创作提供了程式规范。《越讴》刊行,让粤讴体裁影响扩大、深入人心。招子庸创作的《吊秋喜》是粤讴体裁的范本,其独特的"桃花间竹"艺术手法,赋予粤讴体裁自由、包容的品格。
Zhao Ziyong’s name is closely related to Yue Ou. He was not the first person to write Yue Ou, but he was an iconic figure of this genre. He compiled the first anthology of the genre which named Yue Ou(《越讴》). This book provides the format for later people to write Yue Ou. The publication of this book has extended the influence of this genre. Mourning Qiu-xi became a model for Yue Ou genre, and its unique artistic technique named 'The peach blossom separating the bamboo'endow the genre with a free and inclusive character.
作者
文春梅
WEN Chun-mei(School ofHumanities and Education Science,Foshan University,Foshan 528000,China)
出处
《佛山科学技术学院学报（社会科学版）》
2018年第6期43-48,72,共7页
Journal of Foshan University(Social Science Edition)
基金
广东哲学社会科学规划项目(GD12XZW20)
关键词
招子庸
粤讴
体裁
桃花间竹
Zhao Ziyong
Yue Ou
genre
The peach blossom separating the bamboo
