摘要
诗性是一切艺术的本源性精神,但凡艺术,必有诗性。雕塑作为造型艺术,最集中地体现了诗性精神。吴为山的艺术实践和理论探索都是围绕"写意雕塑"展开的。写意雕塑的最大贡献在于:在全球文化的碰撞中,构建了完整的根植于中国文化系统的独特风格元素和理论体系。以写意雕塑的诗性内涵和表达方式为考察中心,系统剖析了以吴为山为代表的中国写意雕塑理论体系,进一步论述了写意雕塑的诗性机制。
Poetry is the original spirit of all art,but art must have poetry.As the most important form of sculpture,sculpture reflects the spirit of poetry.WU Weishan's artistic practice and theoretical exploration are all carried out around the "freehand sculpture".The greatest contribution of freehand sculpture is to construct a complete set of unique style elements and theoretical systems rooted in the Chinese cultural system in the collision of global culture.The paper takes the poetic connotation and expression of freehand sculpture as the center of investigation,systematically analyzes the theoretical system of Chinese freehand sculpture represented by WU Weishan,and further discusses the poetic mechanism of freehand sculpture.
出处
《阅江学刊》
2019年第5期115-119,123,共6页
Yuejiang Academic Journal
基金
国家社会科学基金重大项目“中国百年雕塑研究”(18CG195)
