摘要
数字技术的发展深刻地改变着当代艺术的存在形态。对数字艺术的具体表征及其引发的审美经验,审美错觉理论显示出有效的阐释力。沉浸与距离是数字艺术中审美错觉的两个重要考察维度。数字艺术中的沉浸凭借数字技术的拉动效应和准体验,与界面实现对想象力的激活及审美错觉的构建。与此同时,技术距离是审美错觉理性距离得以实现的核心所在。根据沉浸与距离的强度变化,数字艺术游走在现实世界与叙事虚构世界之间,建构介于数字与现实间的可能世界。
The development of digital technology has profoundly changed the existence of contemporary art. Focusing on the aesthetic illusion, this paper tries to investigate the specific representation of digital art and its aesthetic experience. Immersion and distance are two important dimensions of aesthetic illusion in digital art. Digital technology builds immersion in digital art through pull effect, quasi-experience and interface. The immersion contributes to the particular imaginative response and the aesthetic illusion. At the same time, the technical distance is the core of the realization of the aesthetic illusion rational distance. According to the intensity of immersion and distance, digital art travels between the real world and the fictional world, constructing a possible world between digital and reality.
出处
《学术研究》
CSSCI
北大核心
2019年第8期170-176,178,共8页
Academic Research
基金
国家社科基金项目“‘比较文本媒介’理论视阀下的文学跨媒介生产研究”(18CZW005)的阶段性成果
