摘要
曹丕的“文气说”提出“文以气为主”“气之清浊有体”等具有创造性的理论,其独有的审美内涵强调作家的创作个性与内在气质。“文气说”崇尚豪放之气,这与儒家中和之美的审美传统形成鲜明对比。在特定的时代,“文气说”冲击了儒家的中和之美,它的出现是文学批评多样性的呈现。
Caopi proposed many creative theories,such as in the “ Wenqi” theory.Its unique aesthetic connotation emphasized the writer’s creative personality and inherent temperament.It advocates the bold aesthetic,thus it contrasts sharply with the Confucian beauty of tolerance and harmony.At that time,although “Wenqi” theory is also influenced by the beauty of tolerance and harmony.The emergence of“Wenqi” theory indicates that the diversity of litery criticism in ancient China.
作者
王国顺
Wang Guoshun(School of Literature,Hunan Normal University,Changsha,Hunan,410006,China)
出处
《黑龙江工业学院学报（综合版）》
2019年第8期16-20,共5页
Journal of Heilongjiang University of Technology(Comprehensive Edition)
关键词
曹丕
文气说
中和之美
审美内涵
CaoPi
“ Wenqi ” theory
neutralization
aesthetic connotation
