摘要
《大地》的叙事,是从“成家”和“饥饿”开始的,这显然富于多重象征意义。由“饥饿”所引申出来的“丛林法则”,与以家庭为中心所生成的伦理原则或礼教文化之间,无论是在现实生活层面抑或是在精神生活内部,均存在着难以弥合的张力裂缝,直至影响着对于《大地》中每一个主要人物主体性的形塑与定位,并由此引发出《大地》在传统与现代、个人与家庭、家庭与社会、乡村与城市、中国与世界多个二元关系结构的叙事中既具有生活实感,又不失敏锐洞察力的回旋腾挪,并最终完成了对于20世纪初期中国农民生活及农民社会的史诗性的文学想象与小说叙事。
The narrative of The Good Earth begins with “getting married” and “hunger”, which obviously implies multiple symbolic meanings. Among the “law of the jungle” derived from “hunger” and the ethical principles or ethical culture generated by family center, there are gaps difficult to bridge, whether in real life or in spiritual life. And the gaps even affect the shaping and modeling of each main character in The Good Earth, which, with a keen insight, makes great room for the narrating of multiple binary relational structures, such as in the contrast of traditional and modern societies, of individual and family, of family and society, of countryside and city, and of China and the world.In this way, The Good Earthfinally shows the readers the epic literary imagination and completes novel narrative of Chinese peasant life and peasant society in the early twentieth century.
作者
段怀清
Duan Huaiqing(Department of Chinese Language and Literature,Fudan University, Shanghai 200433, China)
出处
《江苏大学学报（社会科学版）》
北大核心
2019年第4期1-7,16,共8页
Journal of Jiangsu University(Social Science Edition)
关键词
《大地》
赛珍珠
双线叙事结构
The Good Earth
P.S.Buck
double-lined narration
