摘要
在以男性为主的历史叙述中,女性一直处于失语状态,被遮蔽、被代言。女扮男装题材文学创作的出现和发展反证了中国古代性别制度对女性作为“人”的权利的束缚与压制。此类作品塑造了一群才华出众、挑战性别陈规的女性形象,一方面客观地再现了封建社会“男尊女卑”“三从四德”观念下女性真实的社会处境;另一方面体现了以男性作家为主的创作群体对女性处境的同情,对女性才华学识的肯定,凸显了创作者性别意识的觉醒。同时,作品的传播也具有积极的性别启蒙意义。
In the historical narration which mainly focused on the men,women have always been in a state of aphasia and have been concealed and spoken for. The emergence and development of the literary creation of women disguised as men has refuted the restriction and oppression of women having the right of being the human in ancient China’s gender system. Those writings have forged a group of talented women who challenge gender stereotypes. On the one hand. It objectively reproduces the real social situation of women in the feudal society that"Men are Superior to Women"and"Women should follow Three Obediences and Four Virtues". On the other hand,it reflects the sympathy of the creative groups,mainly male writers,with the situation of women,the affirmation of women’s talent and knowledge,and also highlights the awakening of the gender consciousness of the creators. At the same time,the dissemination of works also has a positive significance to gender enlightenment.
作者
孙萍萍
SUN Ping-ping(School of Humanities,Weinan Normal University,Weinan,Shaanxi 714099,China)
出处
《山西师大学报（社会科学版）》
2019年第4期83-87,共5页
Journal of Shanxi Normal University(Social Science Edition)
基金
陕西省教育厅重点科研项目(17JZ030)
关键词
女扮男装
文学发展
性别启蒙
women disguised as men
literature development
gender enlightenment
