摘要
五四运动和中国电影的关系,从反帝/反封建、现代/传统的思想和题材上追溯其因袭来源,呈现出复杂性的一面。"五四"作为中国电影"元类型",充满对历史和集体记忆的检视与瞻望。本文透过百余年历史演进及中国电影持续进行的不同主题的探索,论述五四新文化运动和中国电影创作之间的联系及其给当下电影的启示。
The relationship between the May Fourth Movement and Chinese film traces its origins and presents its complexity, from the anti-imperialist or anti-feudal, modern or traditional thought and subject matter. As a Chinese film "metatype", "the May Fourth" is full of recollections and inspections of history and collective memory. Going through more than a hundred years of historical evolution and the exploration of different subject of Chinese film, this paper researches on the connection between the May Fourth New Culture Movement and Chinese film creation and its implications for the current film.
出处
《电影艺术》
CSSCI
北大核心
2019年第3期8-14,共7页
Film Art
关键词
五四新文化运动
现代/传统
主题探索
青年话语
元类型
The May Fourth New Culture Movement
modern or traditional
subject exploration
youth discourse
"metatype"
