摘要
1922年公映的《海誓》是中国最早的爱情片。影片中的殷明珠是第一位中国女明星,她与该片导演但杜宇结成银幕夫妻,这些一直为电影史家津津乐道。在中国早期电影发展的脉络里考察这两人的恋爱与结合,特别是夫妻俩合作的电影生产、殷明珠成为银幕人体美的象征,突出体现了性别与身体的文化政治,涉及妇女解放、好莱坞影响、表演美学和大众消费等议题。
As recognized by film historians, The Sea Oath directed by Dan Duyu and screened in 1922 was the first love film in China, and its actress Yin Mingzhu was the first Chinese female movie-star. In examining the legend of their love and marriage, and especially how Yin Mingzhu became an icon of the beautiful body in their film production in the context of early Chinese cinema, we will find how the gender and body politics played a central role, intertwined with issues of woman＇s liberation, Hollywood influence, performative aesthetics, and popular consumption.
出处
《中国比较文学》
CSSCI
北大核心
2015年第1期9-24,共16页
Comparative Literature in China
关键词
《海誓》
殷明珠
但杜宇
女明星
好莱坞
性别与身体政治
The Sea Oath
Yin Mingzhu
Dan Duyu
female movie-star
Hollywood
gender and body politics
