摘要
“丝绸之路”作为东西方贸易与文化交流的象征,一直以来都是中外纪录片创作的经典选题,“一带一路”倡议提出后,再次引发丝路题材纪录片创作的热潮。但是在新的时代情境下,基于特定政治、经济、文化、技术条件的动力影响,纪录片的创作也呈现出一种动态的转向特征。在对比了“一带一路”倡议提出前后丝路题材纪录片中价值诉求、时空叙事两个方面的具体变化后,建议重新思考历史与当下、地理与人、国家与个人的关系,运用人类学、社会学的方法指导创作是丝路题材纪录片创新的一种可行思路。
As a symbol of trade and cultural exchanges between the East and the West,the“Silk Road”has always been a classic topic for Chinese and foreign documentaries.The“One Belt,One Road”initiative has once again triggered a wave of documentary production on the theme of silk road.However,in the new era,in view of the dynamic influence of specific political,economic,cultural and technological conditions,the production of documentary films also presents a dynamic turning feature.This article compares the specific expressions of the narrative changes of documentaries on the theme of the silk road before and after the“One Belt,One Road”initiative from the aspects of value appeal,time and space narrative,and suggests that if we want to find a new narrative mode for these documentaries,we should rethink the relationship between the history and the current,geography and human,the state and the individuals,use the methods of anthropology and sociology to guide the production.
出处
《湖南师范大学社会科学学报》
CSSCI
北大核心
2019年第3期145-150,共6页
Journal of Social Science of Hunan Normal University
基金
国家社会科学基金艺术学青年项目“建构主义视角下中国纪录片中的国家形象研究”(16CC149)
关键词
丝路题材
纪录片创作
叙事转向
the theme of the silk road
documentary production
narrative transformation
