摘要
本文系统考察近代川江航道图志本土谱系的建构过程,认为近代中国本土精英在对西方"科学"地图知识的"现代性体验"中,往往不自觉地利用中国传统地图知识进行重新塑造,即通过"传统知识资源的再利用",进而沟通与融合中西两种不同的地图绘制传统。是故,近代国人所绘的川江航道图志,在编绘方式上往往新旧杂陈,明显带有"旧瓶装新酒"的内容特征。在清末以来知识与制度转型的大背景下,近代国人特别是地方知识精英对西方现代测绘技术与制图体系的认同与接受,并非简单地是一个"他者"的渗入与移植过程,而是一场由西方文化传播者与本土地图绘制者共同参与的复杂的"在地化"知识生产。
The paper systematically investigates the process of construction of local fairway maps in modern times.It deems that native elites in Modern China frequently and unconsciously used Chinese traditional map knowledge for remolding in the"modernism experience"of western"scientific"map knowledge,namely"renewing traditional knowledge resources to infuse two different map drawing traditions in China and the west.Therefore,the fairway maps drawn by countrymen in modern times are a mixture of the old and the new in the patterns of compilation and obviously have the feature of"putting new wine into old bottles".Since the late Qing Dynasty,under the overall background of knowledge and institutional transformation,the approval and acceptance of countrymen in modern times(especially local knowledge elites)for western modern surveying and mapping technology are not simply an infiltration and transplantation procedure of"others"but a complex"localized"knowledge production participated in jointly by western culture disseminators and local map makers.
出处
《上海地方志》
2017年第1期25-34,94,95,共12页
Shanghai Chronicles
基金
2016年"陕西省博士后科研项目经费"
"陕西师范大学博士后科研启动经费"的资助
关键词
川江
航道图
现代性
本土谱系
Rivers
fairway maps
modernism
local lineage
