摘要
明清陇右文人整体书法创作成就并不突出,但表现出的地域文化特性和审美取向有较独特的价值,值得重视。其中"关陇理学"的学术背景对明清陇右文人书法的影响深远,表现在审美取向上对"书崇鲁公"的一致性美学追求,对道统的崇尚也限制了艺术审美的多样化与创造性。
The paper holds that the overall calligraphic creation achievement of Longyou literati in Ming and Qing dynas.ties is not outstanding but the regional cultural characteristics and aesthetic orientation are of particular value.The aca.demic background of Guanlong neo-Confucianism has far-reaching influence on the calligraphy of Longyou literati in Ming and Qing dynasties,which is reflected in the consistent aesthetic pursuit of "admiring Confucious" in aesthetic ori.entation while the reverence of Confucianism tradition limits the diversity and creativity of artistic aesthetics.
作者
焦福维
JIAO Fu-wei(School of Literature and Media,Longnan Teachers’ College,Chengxian,742500 China)
出处
《乌鲁木齐职业大学学报》
2018年第4期32-35,共4页
Journal of Urumqi Vocational University
基金
2018年甘肃省高等学校科研项目(2018A-266)
2016年陇南师专校级科研项目(2016LSSK02009)
关键词
文人书法
陇右地区
关陇理学
审美取向
literati calligraphy
Longyou area
Guanlong neo-Confucianism
aesthetic orientation
