摘要
陈献章不但在思想方面由程朱理学转向心学,成为明代心学的开山之人,而且在文学方面也由"抑情"转向"重情",成为晚明文学发展史上诗风转捩的发轫人物。陈献章引以"心"为本体,以自得之法直叩自然的哲学观念入诗学,形成了诗抒性情、诗尚雅健、宗自然和以诗传道的诗学思想。这种心学思想与文学形式的相互交融不仅呈现出了一种诗学意义上迥异流俗的审美体验,还呈现出了一种价值追求意义上洒脱自如的人生境界。
Chen Xianzhang not only changed from Cheng Zhu Neo-Confucianism to the Philosophy of Heart in the aspect of thought, thus becoming the founder of the Philosophy of Heart in Ming Dynasty, but also changed from restraining emotion to emphasizing emotion in the aspect of literature, thus becoming the originator of poetic style transition in the history of literature development of late Ming Dynasty. He introduced the philosophical concept of heart as the ontology and pursued nature with the law of self-sufficiency, forming the poetic thoughts of expressing temperament, advocating elegance and health, pursuing nature and preaching with poetry. The combination of the thought of mind and the form of literature not only presents a different aesthetic experience in the sense of poetics, but also presents a kind of free life realm in the sense of value pursuit.
作者
俞燕
王珍
YU Yan;WANG Zhen(College of Chinese Language and Literature, Shihezi University, Shihezi 832003, Xinjiang, China)
出处
《石河子大学学报（哲学社会科学版）》
2019年第1期119-123,共5页
Journal of Shihezi University(Philosophy and Social Sciences)
关键词
陈献章
心学思想
诗学思想
诗学境界
Chen Xianzhang
The Philosophy of Heart
poetic thoughts
poetic realm
