摘要
以孔子"游于艺"和庄子"游心"这两个命题为思想源头,形成了中国古典美学中关于"游"的一系列美学、艺术思想,但后来学者对这一问题的疏解多见仁见智,部分学者无视孔、庄思想的不同,将之混为一谈。将"游"的概念放归到孔、庄两家整个思想体系中考察,有助于厘清两家对"游"的概念的具体界定,对我们认识以孔、庄为代表的儒、道两家关于"道艺关系"的思想可以提供一隅之明。
A series of aesthetic and artistic thoughts emerged centering on“You”that can be traced back to Confucius's“You-yu-yi”and Chuang-tzu's“You-xin”while later scholars hold diverse opinions towards this term and some of them ignored the differences between Confucius and Chuang-tzu and mixed them up.It is conductive to the clarification of these two schools'definitions of“You”by putting it into its respective ideological system which can offer some insight to understand their thoughts of the relationship between“Tao”and“Art”.
出处
《贵州大学学报（艺术版）》
2019年第1期66-73,107,共9页
Journal of Guizhou University Art Edition
