摘要
在这里,"电影本事"是指为向读者和观众介绍影片而扼要叙述的电影作品中的故事梗概或基本内容。在20世纪上半叶,"电影本事"跟西文电影的Story或Synopsis概念、中国叙事传统以及早期电影叙事之间,存在着极为复杂的关联性。作为"文字"与"影音"交互生成的叙事作品,"电影本事"或者以基本的故事框架单独刊行,或者结合影片说明、介绍或字幕联合推出,或者演变为配有剧照或其他图片的电影故事、电影小说、电影剧本或连环电影图画等叙事文本专供观众或读者赏阅,均在文学与电影之间展开颇有成效的文体互渗和跨媒介运作,呈现出一种独具魅力的中国文学/电影美学风格,形成一种令人瞩目的文化生产与消费景观。但电影与文学毕竟是不可通约的。作为一种新兴的文学样式,"电影本事"总是因电影起意而创作,并以阅读为重要目的。也正因为如此,才得以进入20世纪以来中国文学史与中国电影史交流互动的双重视域。
" Movie story" here refers to the synopsis and the content of the movie when it is being introduced to the viewers. In the early 20 th century,the movie story shares a complicated connection with the story or synopsis in the western movies and the Chinese narrative tradition and the early movie narration. As a narrative work of the combined creation of words,pictures and sound,the movie story can be published with the single synopsis of the movie,or jointly published by combining with the introduction of the movie,subtitles or developed into narrative text with pictures of the movie or other pictures,movie novel,movie transcript and movie illustrated works for the readers and viewers. They are the product of the immersion and cross-media operation between literature and movie,with the characteristic of Chinese literature/movie aesthetics,thus forming a remarkable cultural production and consumption landscape. However,literature and movies are different. As a new literary form,movie story is created because of movie and in the meanwhile focuses on reading. It is only because of this that the history since the 20 th century has witnessed the interaction of the Chinese literature and Chinese movie.
作者
李道新
LI Dao-xin(School of Art,Peking University,Beijing 100871,China)
出处
《西北大学学报（哲学社会科学版）》
CSSCI
北大核心
2019年第2期63-76,共14页
Journal of Northwest University：Philosophy and Social Sciences Edition
关键词
电影本事
文体互渗
跨媒介运作
叙事传统
早期电影
movie story
immersion of styles
cross-media operation
narrative tradition
early movies
