摘要
介绍了近年关于明代园林绘画的中外学者研究进展,并以明代张复《西林园景图》为主要研究对象,概述了明代无锡安氏家族在胶山所建西林园的营造源流,对照分析了文人王世贞的《西林园记》、安绍芳与叶茂长所题三十二景园林诗以及现存的16幅张复所绘《西林园景图》册页,研究了西林三十二景中水景区、滨水区、山景区的造景意趣和空间特征。作为晚明文人园林一个重要案例,西林园图文资料的研究对明代园林史及绘画史具有一定推进性意义。
This paper introduces the most recent researches in late Ming garden paintings, and takes the paintings of West Forest Garden by Zhang Fu as an example. Based on a combinative analysis of paintings and texts on the An family’s garden West Forest Garden in Wuxi, Ming Dynasty, it overviews the history of this garden’s construction, the interrelationships among various media of the garden’s representations. Furthermore, it examines the characteristics of waterscape zone, lakeside zone and mountain scenery in the garden, and demonstrates the corresponding spatial Compositions of Garden Paintings drew by Zhang Fu, which has sixteen leaflets available currently. As a significant example of late Ming scholar’s garden, the study on visual and textual records of West Forest Garden makes contribution to the history of Ming gardens and paintings.
出处
《中国园林》
北大核心
2018年第12期140-144,共5页
Chinese Landscape Architecture
关键词
风景园林
明代
安氏西林
三十二景
张复
landscape architecture
Ming Dynasty
An Family's West Forest Garden
thirty-two views
Zhang Fu
