摘要
晚明江南园林的营造,不仅在景物形式效果方面有着重要改变,而且在山水游观体验方面表现出前所未有的重视,呈现出空间经营的新意。这样的转变也与画意宗旨息息相关,山水画意并不只是静止的画面欣赏,还在于时间性的动态游移。对此的理解,有助于更好地把握晚明江南园林中复杂而综合的空间经营特点。
In the garden making of the Jiangnan area of the late Ming period, great changes happened not only on the formal scenery effect, but also on the traveling experience of shanshui, showing the innovation of spatial arrangement. Such a transition is strongly related with the painterly-idea purpose, paying great attention not only to static formal appreciation, but also to dynamic moving with time. This would help understand the features of complicated and comprehensive garden space in the late Ming Jiangnan.
出处
《新建筑》
2016年第6期44-47,共4页
New Architecture
基金
国家自然科学基金资助项目(51308103)
关键词
中国园林史
晚明江南
游观体验
空间经营
画意追求
Chinese garden history, Jiangnan area in the late Ming, traveling experience,spatial arrangement, painterly-idea pursuit
