摘要
《老子》和《庄子》中所体现的道家思想,不仅在文学史、哲学史上具有重要价值,而且对中国传统美学也产生了深远影响,是形成中华美学精神的重要理论资源。在"道法自然"观念下,"自然"成为道家审美追求的最高标准,"朴拙"是自然展现的一种状态,"虚静"是达到自然的过程。此外,在齐物思想影响下,"生死"这一概念内涵也不断扩大,与"死法"相对的"活法"成为文艺批评的重要范畴。魏晋以降,老庄思想逐渐渗入到美学领域,中国传统的诗论、书论、画论、乐论等无不受其熏沐。
The Taoist thoughts embodied in Laozi and Zhuangzi not only have prominent value in the history of literature and philosophy,but also had a profound influence on traditional Chinese aesthetics.They are important theoretical resources for the Chinese aesthetic spirit.Under the concept of dao fa ziran(the Way follows nature),nature became the highest standard of Taoist aesthetic pursuits,puzhuo(simplicity)became a state of nature,and xujing(hollowness and quietness)the process of reaching nature.In addition,under the influence of the thought of qiwu(to level all things),the concept of shengsi(life and death)has been expanded constantly,and huofa(living rules),which was opposite to sifa(dead rules),became an important category in literary criticism.After the Wei and Jin period,Lao-Zhuang thought gradually permeated into the field of aesthetics,and traditional Chinese thoughts on poetics,calligraphy,painting and music were all influenced by it.
出处
《中国文学批评》
2018年第4期53-62,156,共11页
Chinese Journal of Literary Criticism
