摘要
都市废墟影像主要呈现为社会主义早期建设时期遗留的工业废墟以及都市生活空间更新带来的城建废墟,包括废弃工厂、拆迁工地和烂尾楼等典型形态。都市电影中的废墟影像表现为一种在场的诗学,它是城市更新的空间表征,营构出荒寒之境、记忆之场和奇观之域的审美空间。影像与实体的都市废墟互为印证,共同显现出都市新旧空间交合处的传统书画美学的超然苍劲与现代记录美学的漂浮无定、魔幻现实等丰富审美意蕴,最终在艺术化表达的审美场域中完成新旧秩序交接。
The images of urban ruins mainly show the industrial ruins left over from the early socialist construction period and the urban construction ruins brought by the renewal of urban living space,including the typical forms of abandoned factories,demolition sites and unfinished buildings.The image of ruins in the urban film is a poetics of presence,which is the spatial representation of urban renewal,creating an aesthetic space with the artistic mood of bleakness,the memory scene and the spectacle field.Images and physical urban ruins corroborate each other,showing the rich aesthetic implications at the intersection of old and new urban spaces,including the detachment and vigorous in the traditional painting and alligraphy and the floating uncertainty and magical reality of the modem record aesthetics.Finally,the transition between the old and the.new order will be.completed in the aesthetic field of artistic expression,
出处
《都市文化研究》
2023年第1期448-462,共15页
Urban Cultural Studies
基金
2021年江苏省社科基金项目“文化地理学视域下江南电影的‘风景’研究”(21YSC005)研究阶段性成果
关键词
荒寒
记忆
奇观
废墟影像
审美
The Artistic Mood of Bleakness
Memory
Spectacle
Image of Ruins
Aesthetic
