摘要
新媒体技术的发展导致电影批评在文本风格和话语特征上发生了深刻的范式转型,呈现出碎微化与即时性,互动性与生成性,虚拟人格化以及超媒体性等鲜明特征,并极大地释放了批评的潜力和活力。然而,由于资本逻辑的渗透和对新媒体技术缺乏应有的批判意识,新媒体影评又不可避免地陷入资本操控与媒介异化的批评困境。当下中国电影批评的格局重建需要影评者实现从碎片化主体到理性主体、从"知道分子"到知识分子、从媒介依附到媒介利用多重身份的蜕变。
The development of new media technology has led to a profound paradigm transformation of film criticism in terms of text style and discourse features.It has shown distinct features such as fragmentation and instantaneity,interaction and generativeness,virtual personification and hypermedia,and has greatly released the potential and vitality of criticism.However,due to the infiltration of capital logic and the lack of due critical awareness of new media technology,new media film criticism inevitably falls into the dilemma of capital manipulation and media alienation.The reconstruction of film criticism requires film critics to realize the transformation from fragmented subject to rational subject,from knowledgeable element to intellectuals,from media dependence to media utilization.
出处
《中州学刊》
CSSCI
北大核心
2018年第9期154-160,共7页
Academic Journal of Zhongzhou
关键词
新媒体
电影批评
批评范式
批评困境
主体重塑
new media
the film criticism
critical paradigm
criticism dilemma
main body reshaping
