摘要
长期以来,我国画论典籍的译介研究未能得到足够的重视,现有译本的数量和质量与书法绘画在中国传统文化中所占据的重要地位极不相称,远远不能满足当前"一带一路"倡议下中国文化"走出去"的需要。画论典籍的翻译、出版、发行,需要建立和健全一套规范化、系统化的译介体系,实现译介目标的准确性和有效性。画论典籍中蕴含的生态美学思想与胡庚申教授所提出的生态翻译学有异曲同工之处,以生态翻译学为理论依据,研究构建画论典籍译介生态体系的路径和对策,符合画论典籍的整体思想。画论典籍的译介生态体系构建是实现画论典籍对外传播和出版工作长期发展的基础保障,也是提升中国画学国际知名度和影响力的重要渠道。
For a long time,research into the translation and introduction of Chinese classics of painting theory has not received due attention.Calligraphies and paintings play an important role in traditional Chinese culture,whereas the quantities and qualities of translations of painting theory are far from enough.That is to say,translations of such works cannot meet the demands in the context of the“Belt and Road Initiative”and Chinese culture“going global”.A system of translating and introducing such works should be built and standardized for purpose of accurate and effective translations.The ecological aesthetics idea embodied in classics of Chinese painting theory is akin to ecological translation studies proposed by Hu Gengshen.Based on the theory of ecological translation studies,this paper researches the approaches and strategies of building an ecological system of translating Chinese classics of painting theory,which accords with the holistic thinking of painting theory.Such a system facilitates communications and publications of such works,and is an important approach to make Chinese paintings more famous.
作者
张明薇
ZHANG Ming-wei(Nanjing Tech University Pujiang Institute,Nanjing 210018,China)
出处
《南京工程学院学报（社会科学版）》
2018年第1期23-26,共4页
Journal of Nanjing Institute of Technology：Social Science Edition
基金
江苏省高校哲学社会科学研究基金项目"‘一带一路’视域下中国画论典籍中生态美学的翻译研究--以清代石涛的<画语录>为例"(2017SJB2099)
南京市哲学社会科学规划课题"‘一带一路’视域下金陵画论的译介研究"(17C10)
关键词
“一带一路”倡议
文化“走出去”
画论典籍
译介生态体系
the“Belt and Road Initiative”
the“Go Global”strategy
Chinese watercolor painting theories
co-translatology
