摘要
斯坦尼斯拉夫斯基表演体系已有百年历史(以下简称"斯氏体系"),自创立以来就具有独特的实践意义和理论价值,在戏剧演员创作过程中起到了重要的指导作用。但随着梅耶荷德、铃木忠志等现代表演理论的传播,许多影视演员认为,"斯氏体系"有关创造性格化人物的理论早已过时,演员应该是本色出演,观众欣赏的是他们自身的性格魅力,无需创造性格各异的人物形象。这种观点,导致了影视作品经常出现同质化表演,人物性格化的塑造已不再受到演员的重视。李雪健是我国著名的表演艺术家,在影视剧和舞台上塑造过许多性格独特而鲜明的人物形象,他出色的演技和秉承的现实主义创作原则体现了以观众为本的艺术精神。研究李雪健塑造的具有典型意义的影视形象,分析他在艺术创作过程中对"斯氏体系"的运用以及他的表演艺术魅力,进而挖掘他不断创新的艺术精神对创作更多"接地气、传得开、留得住"的艺术精品是有积极意义的。
Stanislavsky's performance system has a history of one hundred years(hereinafter referred to as"Sri Lanka system"),since its establishment has a unique practical significance and theoretical value.It plays an important guiding role in the process of theatrical actors'creation.But with the widespread spread of modern performance theories,such as Meyer Hood,Grotovsky,Richard Shekner,and Suzuki,many film and television actors think that the theory of creating a characterized person which is about"Sri Lanka system"is already out of date.Actors who are in front of the screen should be the character starred in the audience to appreciate their own character charm without the need to create a characterization of the characters.It is precisely because of this idea,what we have seen is a monotonous performance in a considerable part of the film and television drama,some actors no longer pay attention to the character creation.Li Xuejian who is China's famous performing artist has shaped many unique and distinct characters in the film and television drama and the stage.His excellent acting and adhering to the principles of realism embody the audience-oriented spirit of art.In this article,through the study of Li Xuejian's typical image of film and television,it analyzes his uses of"Sri Lanka system"and the charm of his performance and then digging his innovative spirit of art is of positive significance for creating more art works that are"grounded,spread and survived."
作者
杨塔娜
郝凤彩
Yang TaNa;Hao FengCai(Hohhot,Inner Mongolia 010010;Inner Mongolia College of Arts culture management department,Hohhot,Inner Mongolia 010010)
出处
《内蒙古艺术学院学报》
2018年第1期152-156,共5页
Journal of Inner Mongolia Arts University
基金
2017年教育部人文社科<内蒙古演艺发展史研究>(项目编号:17YJA760035)阶段性成果
关键词
斯坦尼斯拉夫斯基体系
李雪健
影视形象
Stanislavsky's performance system
Li Xuejian
Image of film and television
