摘要
"分形"在自然界中无所不在,同时亦广泛存在于人类艺术领域对"美"的创造之中。计算表明,小说《三国演义》的叙事结构高度暗合以黄金分割律为迭代原则的分形结构,其数学模型为Xn+1=1.618×Xn-C。这一模型同样适用于戏曲《西厢记》、《牡丹亭》、《桃花扇》。这表明《三国演义》所呈现的"黄金分形"结构不是孤立的事件,而是一种无意识的对美的结构艺术的普遍追求,是优秀叙事文学作品在创作中为追求叙事效果和节奏美感自然呈现的一种一般性规律。分形可以成为叙事文学创作的指导性理论与文学研究的一般性方法。
Fractal is ubiquitous in natural world,and is existing in every corner of literature and arts as a result of pursuing aesthetics.It is calculated that the narrative structure of Romance Of The Three Kingdom coincides highly with fractal structure of golden section law,with mathematical model of Xn+1=1.618*Xn-C.This model is also applied to traditional Chinese plays like Romance Of The Western Chamber,The Peony Pavilion and Peach Blossom Fan.This phenomenon shows that the golden fractal structure in Romance Of The Three Kingdom is not accidental,and it is a universal subconscious pursuit for structural aesthetics.It is also a common practice for writers to reinforce the narrative effects and rhythms in narrative literature.Fractal structure can be used as a guiding theory for narrative literary writing and a technique for literary research.
出处
《文学与文化》
2018年第1期102-113,共12页
Literature and Culture Studies
关键词
《三国演义》
叙事结构
分形
黄金分割
Romance Of The Three Kingdoms
Narrative Structure
Fractal
Golden Section
