摘要
20世纪"语言转向"理论在当代文学理论领域中大体形成工具论、本体论、意图说等三种语言论说。语言转变的这三种形态使其完成了语言由客观附着物到自身独立存在的华丽转身。作为独立存在的后现代语言又因自身的多变延异,难以确定与客观世界的联系使其陷入语言危机。这份危机在卡夫卡笔下上演的尤其壮烈,语言的不确定、喜剧性和游戏性共同指向文本的虚无缥缈。作者试图通过一系列陌生化语言来描绘战后西方世界人们精神的荒原以及生存的虚无。
The theory of“linguistic turn”is an important contemporary literary theory which mainly include three kind:tool theory,ontology and intention.These three forms of language change make it complete the gorgeous turn of a language from the objectiveattachment to their own independent existence.However,the independent post-modern language has been stuck in the crisis because ofits changeable difference,difficulty to determine the contact of the objective world.In Kafka,this crisis is particularly heroic,his uncertainlanguage,comedy and game-like text which make everything uncertain and meaningless.The author tries to describe spiritual wastelandand survival of nothingness in the post-war western world by a series of unfamiliar language.
作者
潘丽燕
PAN Linyan(Nanchang University, Nanchang, Jiangxi, 330038 China)
出处
《广西科技师范学院学报》
2016年第5期51-53,共3页
Journal of Guangxi Science & Technology Normal University
关键词
语言转向
卡夫卡
语言艺术
Linguistic turn
Franz Kafka
Lingual art
