摘要
属于先楚神系的“高唐神女”,具有神圣、淫欲、美丽三个特性。随着社会的高度理性化 ,在汉魏六朝“神女——美女”系列辞赋中 ,神女原型被一分为二 :或代表邪恶的情欲 ,或代表神圣的“道”。作品中象征情欲的女性 ,只是为了反衬男性战胜诱惑的理性力量 ;象征“道”的女性 ,则不但给世俗浪子提供了一个永不可及的虚拟目标 ,而且由这种追寻所带来的幻灭感和悲剧感 ,充分展示了人类精神世界的丰富与坚忍。
Goddess of Gaotang', which belonged to the pre Chu gods system, had three characteristics: holiness, lust and beauty. Along with the high rationalization of society, the prototype of goddess was divided into two parts: one represented the evil lust, while the other represented the 'Dao'. In these works, those female who symbolized the sexual passion only served as foil to show the reason strength that used for beat the temptation by male, those female who stood for the 'Dao' offered not only the unobtainable suppositional goal, but also fully displayed the richness and tolerance of human being's inner world that caused by the sense of disillusion and tragedy in the pursuit.
出处
《湖南大学学报（社会科学版）》
2002年第5期66-70,共5页
Journal of Hunan University(Social Sciences)
关键词
汉魏六朝
"神女-美女"辞赋
原型分化
象征性
Han,Wei and Six Dynasties Period
'Goddess Beauty' Cifu
division of prototype
symbolism
