摘要
《声无哀乐论》是我国第一部音乐理论著作,它的作者是三国时期曹魏最著名的音乐家、思想家嵇康,这部著作中蕴含着嵇康丰富的音乐美学思想,强调人们对音乐感性本体与音乐理性本体双重认识,不但渗透到人们在现实生活对音乐的理解,也从哲学层面上剖析音乐艺术精神与人类的关系。可以说嵇康的音乐美学思想迄今为止都为人们所受用,具有极强的启示性作用。
No Sorrow and No Music is the first theoretical work of music in China. Its author is Ji Kang,the most famous musician and thinker in the period of the Three Kingdoms in Cao Wei. Ji Kang＇s rich musical aesthetic thoughts are contained in this work,which emphasizes people＇s dual understanding of musical perceptual ontology and musical rational ontology. In the understanding of music in real life,it also analyzes the relationship between the spirit of music art and human beings from the philosophical level. It can be said that Ji Kang＇s music aesthetics thought has been used by people from the Three Kingdoms period to the present,and has a strong enlightening effect.
作者
宋玉琳
SONG Yu-lin(Fuzhou Vocational and Technical College,Fuzhou 350000,China)
出处
《林区教学》
2018年第11期107-109,共3页
Teaching of Forestry Region
基金
福建省教育厅中青年科研项目(JAS160991)
关键词
音乐美学思想
理论传播
关系
课堂教学实践应用
《声无哀乐论》
musical aesthetics thought
theory communication
relations
application of classroom teaching practice
No Sorrowand No Music
