摘要
后世戏曲在改编唐宋婚恋传奇时,存在着不断美化人物的倾向,究其原因在于接受者对于小说和戏曲的审美诉求的差异。美化人物的方法可大致划分为细节改变、情节补充和整体翻案。细节改变对于婚恋作品中的男主角来说主要表现在"功名"和"痴情"两方面,对于女主角则着力于在纯情和贞洁上进行美化;情节补充是指通过添加关键性的重要情节来达到美化人物的目的;整体翻案中最典型的是为"负心人"和婚恋阻碍翻案。
There is a tendency to beautify the characters in the adaptation of the opera of love and marriage in the Tang and Song Dynasties. The reason for this tendency lies in the difference of the aesthetic appeal of the novel and opera. The method of beautifying a character can be roughly divided into detail changes, plot additions, and overall cassation. For the hero in love and marriage stories, the change of details is mainly manifested in the ＂fame＂ and ＂love＂, and for the heroine they mainly focus on beautifying innocence and chastity. Plot supplementation refers to the goal of beautifying people through the addition of critical and important plots; The most typical of overall cassation in love and marriage stories is to overturn the verdict on heartbreakers and obstacles.
作者
杨玉
YANG Yu(Institute of Arts,Southeast University,Nanjing,Jiangsu 210096,China)
出处
《河北广播电视大学学报》
2018年第5期42-45,共4页
Journal of Hebei Radio & TV University
关键词
唐宋传奇
戏曲改编
人物塑造
美化倾向
legends of Tang and Song Dynasties
opera adaptation
character building
beautification tendency
