摘要
立足对清代皇家建筑及其装饰工艺的研究和解读,通过剖析乾隆时期紫禁城新建的宁寿宫花园中乾隆皇帝着力开展的四项代表性的建筑工艺"实验"—室外金漆装修、普鲁士蓝装饰、金漆纱窗、绢本通景画等,强调"造"—制作工艺"、作"工艺和材料门类,成为当时乾隆主导营造设计时的核心概念,"造作"差异所带来的质感、肌理、色彩、节点、构成方面的细微差异为乾隆提供了不同的建筑体验,并成为从另一维度影响建筑感受和建筑创作的关键词。
Arising from study and interpretation of imperial buildings and decorative techniques and craftsmanship in the Qing, this paper elucidates on four typical experimentations of architectural craftsmanship sponsored by Emperor Qianlong in the newly built Ningshou Garden of Cining Palace in the Forbidden City, Le. exterior decorations with gold painting, Prussian-blue decorations, window screens with gold paintings, and panoramic paintings on silk scrolls. The emphasis was laid on fabrication, including fabrication techniques, craftsmanship and categories of materials, as the core concept of architectural design under the aegis of Qianlong. Subtle difference as a result of fabrication techniques and craftsmanship in terms of textures, colors and compositions provided various architectural experience for Qianlong, as a keyword on another dimension that cast impact on architectural perceptions and practices.
出处
《建筑学报》
CSSCI
北大核心
2018年第10期25-30,共6页
Architectural Journal
关键词
形式
功能
造作
乾隆皇帝
form
function
fabrication techniques and craftsmanship
Emperor Qianlong