摘要
《套索耳》是伊万·布宁创作于1916年的短篇小说,该作品展现了不同于俄罗斯文学史上同题材作品的思想探索——"罪无罚"主张及其内因的讨论。《套索耳》中的"罪无罚"主张是布宁对人性之异化的剖析,是对人与社会、环境、自然、历史、时空的各层关系的解读,本文通过作品手稿比对分析了布宁对于人类行为深层动机由个人到普世的探索历程,通过布宁与多重历史时空的思想对话阐述其对于原罪论、刑事人类学理论的接受,解释了以战争与革命为背景的特殊历史语境下"罪无罚"的内涵与本质指向。
Written in 1916, Ivan Bunin＇s Loopy Ears explores into the matter of ＂crime without punishment＂, which is rarely seen in other works with similar topics in Russian literature history. The thought of ＂crime without punishment＂ in Loopy Ears is the representation of Bunin＇s dissection of the alienation of humanity and the relationship between man and a series of external factors like society, environment, nature, history and spacetime. This paper, through the comparison between the different versions of Bunin＇s manuscript, presents the changing process of Bunin＇s ideological exploration from the personal perspective to the universal one;and further,through the dialogue between Bunin and different thoughts in the multiple historical spacetime, this paper presents Bunin＇s acceptance of the concept of original sin and the criminal anthropology and explains the essence of ＂crime without punishment＂ under the special historical background of war and revolution.
出处
《俄罗斯文艺》
CSSCI
2018年第3期77-83,共7页
Russian Literature & Arts
关键词
布宁
《套索耳》
罪无罚
原罪观
Bunin
Loopy Ears
crime without punishment
the concept of original sin
