摘要
本文以被誉为"科教三师"之首的陆修静编撰的科仪文献为例,论述陆氏在传承道乐上的基本特点和历史贡献,为进一步探索道教音乐传承奥秘奠定扎实基础。研究认为,陆氏高度重视道乐的继承发展和传承,首次将道乐传承仪式化,创立了传承专仪。同时,在其所创立的传承专仪中,展示了他在道乐传承上已构建起特有体系,包含主体、客体、方法三大要素。这一规范严密的传承体系具有很强操作性和有效性,奠定了后世道乐传承的基础,为后世各道派一致宗法,雄辩地证明陆氏道乐传承的大获成功和奠基性的历史地位。
Taking Taoist rites literature edited and compiled by Lu Xiujing, the first among three teachers of Taoist rites, in this paper, we discuss basic features and historical contribution of Lu＇s inheriting Tao music, so as to build a sound basis for a further exploration of secret of Taoist music inheriting. Lu pays a high attention to the inheriting and advancement of Taoist music, and firstly ritualizes it, and inaugurates the special rites for inheriting, which shows the existing system including subject, object, and approach. Such a inheriting system with rigorous standard has a very strong operability and effectiveness, and establishes a base for later - generation Taoist music advancement, and pro- vides a coincided patriarchal clan system for different Taoist schools, which dialectically proves that LuG Taoist music inheriting has achieved a great success and established a fundamental historical status.
作者
陈文安
蒲亨强
CHEN Wen-ant;PU Heng-qiang(School of Music,China West Normal University,Nanchong,Sichuan 637000;School of Music,Southwest University,Chongqing 400715)
出处
《艺术百家》
CSSCI
北大核心
2018年第2期131-136,共6页
Hundred Schools In Arts
基金
2016年度四川省社会科学重点研究基地"西南音乐研究中心"资助项目(项目编号:xnyy2016031)阶段性成果之一
