摘要
中国影视剧中的"家国叙事"传统,承袭了中国文学体系中的家国叙事手法。这一极具民族传统特性的叙事模式,深受中国儒家文化为核心的"家国同构"式文化秩序的影响。改革开放之后,影视剧"家国叙事"模式在创作中不断丰富、日趋成熟,逐渐形成了以"宏大史诗风格""复杂‘家族树’状结构""群像式圆形人物塑造"以及"跨地域性文化景观呈现"为主的艺术风格。21世纪以来,影像"家国叙事"历经网络新媒体语境的冲击,开始迈入网络转型期。当下影视剧创作中的"家国叙事"传统,正逐步更新其原有的美学风格与具象叙事手法。
This paper analyzes the tradition of＂narrating family and country＂in Chinese movies and TV plays. The author thinks that this mode has inherited the artistic techniques in Chinese literary system.This narrative mode is deeply influenced by the cultural order of ＂the co-construction of family and country＂with Chinese Confucian culture as the core. After the reform and opening up,the mode of＂narrating family and country＂in the creation of movies and TV plays became more mature,gradually forming into special artistic styles mainly represented by the ＂grand epic style ＂,the ＂complicated‘family tree ＇ structure ＂,the ＂characterization of vigorous group-image characters＂ and the＂presentation of cross-regional cultural landscapes＂. Since the beginning of the 21 st century,the＂narrating family and country＂imagery has gone through the impact of the new media context and begun to enter the transitional period of the Internet age. The tradition of ＂narrating family and country＂in the present movies and TV plays is gradually changing its original aesthetic style and various concrete narrative techniques.
作者
李金秋
Li Jinqiu(School of journalism and Media,Shandong Normal University,Jinan Shandong,250014)
出处
《山东师范大学学报（人文社会科学版）》
CSSCI
北大核心
2018年第3期147-156,共10页
Journal of Shandong Normal University(Humanities and Social Sciences)
基金
作者参与研究的国家社科基金艺术学重大项目"中国网络电影
网络剧
网络节目研究"(17ZD02)的阶段性成果
关键词
中国影视剧
家国叙事
叙事模式
家显国隐
国显家隐
网络新媒体
叙事嬗变
Chinese movies and TV plays
narration of family highlighted while country concealed
country highlighted whiletransmutation of narrationand country
modefamily concealed
of narration
familynew Internet media
