摘要
明清之际广东诗人屈大均具有逃禅又归儒的经历,这种经历使他对清代剃发易服制的排斥态度比一般遗民更为激烈。屈大均有关头发衣冠的表述集中在康熙十八年后的晚年时期。借头发衣冠来强调儒学正宗、寄寓故国之思,体现出屈大均看到复国无望、新朝巩固之后个体身心背离的痛苦与坚持;另外,弃佛归儒的特殊体验令屈大均产生一种留名传世的焦虑与重塑儒者形象的努力。
Qu Dajun the famous poet at the turn of the Ming and Qing dynasties fled from Zen and returned to Confucianism.This experience led to his extraordinary rejection of the hair-style and dress change policy imposed by the Manchu government.His discussions of hair-styles and dress mostly occurred in his late life after the eighteenth year of the Kangxi reign period.He used the issue to stress the orthodoxy of Confucianism and express his nostalgia for the former dynasty.It reflected his mental pain and persistence when he saw no hope of restoration of the old dynasty and witnessed the consolidation of the new dynasty.Also his experience of abandoning Buddhism and returning to Confucianism led to his desire for immortality and efforts to rebuild his Confucian image.
出处
《五邑大学学报（社会科学版）》
2018年第2期16-21,共6页
Journal of Wuyi University(Social Sciences Edition)
基金
广东省肇庆市哲学社会科学规划项目"两广总督吴兴祚幕府与文学研究"(批准号:15ZC-09)阶段性成果
关键词
屈大均
头发
衣冠
情结
心境
Qu Dajun
Hair-style
Dress
Complex
State of mind
