摘要
20世纪中期,美术馆界从重视神圣秩序与传统文化的神殿向"以观众为中心"的大众美术馆转变。这决定了在展览实施中"对观众的发现"成为美术馆文化发展的新趋向。在国家文化建设全面提速的时代背景下,为了吸引更多的观众走入美术馆,需要在展览与空间、展品之间、展览与文化之间进行多向度的对话交流,展开美术馆的发现观众之旅。因此,基于美术馆外部建筑、内部空间、色彩与灯光、藏品陈列等角度,对其展示设计进行探讨,具有丰富美术馆建设的现实意义。
Mid-20th century, art gallery changes from the temple that it attaches great importance toorder and traditional culture to ＆focus on the audience＇popular art gallery.This determines that the ＂discovery of audience＂ in the implementation of the exhibition has become a new trend of art gallery culture development.In the context of the overall acceleration of national cultural construction,to attract more viewers to the gallery,there needs to be amulti-dimensional dialogue between exhibitions and spaces, exhibits, exhibitions and cultures,a trip to the gallery. Therefore, based on the exterior architecture, interior space, color and lighting, collection display, etc,the exhibition design is discussed, which has the practical significance of enriching the museum construction
作者
孙丹
许心宏
SUN Dan;XU Xinhong(School of Art Anhui University of Finance and Economics,Bengbu Anhui 23303)
出处
《山东农业工程学院学报》
2018年第7期23-27,共5页
The Journal of Shandong Agriculture and Engineering University
关键词
美术馆
展览理念
观众拓展
展示设计
the gallery
exhibition concept
the audience development
display design
