摘要
中国传统戏剧长期强调"曲本位",秉持"曲为诗余"观念,突显戏曲的抒情性,而忽视叙事性的研究。上世纪末,随着叙事学引入戏剧领域,中国传统戏剧叙事研究取得长足进展,但也存在过多聚焦文本叙事、忽视表演中所蕴含的叙事性等问题。本文力图反思"叙事"隐于"抒情"背后的原因,揭示出传统戏剧表演叙事的本质与形式,并适当参照西方戏剧的叙事传统,彰显中国戏剧叙事传统的独特性。
＂Qu＂ as an essence has been long emphasized in Chinese ancient drama, which sticks to the idea of ＂qu as a form of poetry＂ so that the study of Chinese ancient drama highlights its lyricism much more than its narrative characteristics. With the narratology in- troduced into the study of drama, researches on narrative characteristics of Chinese ancient drama made great progress in the late of last century. However, most of them focused on textual narration much more than the narrative characteristics in the performance. This article attempts to show the uniqueness of narration tradition in Chinese drama and reflect the reason of ＂narration＂ hidden behind ＂lyricism＂ by referring to the tradition of narration in Western drama and disclosing the nature and characteristics of narrative in the performance.
出处
《中国比较文学》
CSSCI
北大核心
2018年第2期65-73,共9页
Comparative Literature in China
基金
本文为国家社科基金重大项目＂中西叙事传统比较研究＂(编号：16ZDA195)的阶段性成果.
关键词
中国传统戏剧
表演叙事
叙事方式
叙事传统
Chinese ancient drama
narration in performance
narrative style
narrative tradition
