摘要
以巴赫金的狂欢化诗学理论,分析《小杜丽》中的疯癫人物形象。巴赫金认为,狂欢式的笑面向更新与未来,能够借助"摆脱现世真理"的另类眼光来审视现实世界,使严肃的一本正经的一切相对化。作为狂欢化人物形象,小说中的疯癫人物依靠自我否定、偏离常规来实现对所谓主流社会的颠覆、对权利的解构,《小杜丽》中的疯癫人物颠覆了维多利亚时期的既定秩序,展现了一个荒诞而又真实的狂欢化世界。
The author here tries to analyze the images of madness inLittle Dorrit written by the great writerCharles Dickens with the help of M.M. Bakhtin’s Carnivalesque Theory. According to Bakhtin,carnival laugh？ter means renewal and future,and it can understand the world through a fresh different angle which gets rid ofthe present worldly truth. Hence,all serious can be made relative. The images of madness inLittle Dorrit canbe regarded as carnival literary images. By self-denial and the deviation of normal ways,they can overthrowthe so-called main-stream society,and deconstruct the authority as well as the established social order of Vic？toria era. Therefore,an absurd and real picture of carnival world can be revealed in front of the readers.
作者
游子
胡伟
You Zi;Hu Wei(School of Foreign Languages,Liupanshui Normal University,Liupanshui 553001,China)
出处
《六盘水师范学院学报》
2018年第2期25-29,共5页
Journal of Liupanshui Normal University
基金
六盘水师范学院人文社科项目"狂欢化诗学理论下的<小杜丽>"(LPSSY201509)
