摘要
日本俳句以短小精练著称,只有17个音却含义隽永,余韵无穷。俳句是能体现日本古典文学特征和日本民族审美和民族特色的艺术形式之一。松尾芭蕉把俳句从低级趣味的世界引领到雅而不俗的艺术殿堂,被誉为"俳圣"。以往对松尾芭蕉俳句的研究往往局限于传统的文学、美学等角度,注重作品内部语义的发掘,对外部认知因素的关注较少。认知诗学把认知语言学和认知心理学的理论和研究方法用于文学的研究中,是一个跨学科的研究方式。借助认知诗学相关理论分析松尾芭蕉的俳句,且探讨了与中国古典诗歌的关联,意在为作品解读的认知过程研究提供新视野。
Japanese Haiku is famous for its short and concise sentences, 17 sounds with meaningful meaning and endless rhyme. Haiku is one of the artistic forms that can embody the characteristics of Japan＇ classical literature and the aesthetic and national characteristics of Japan. Basyo Matuo led Haiku from the vulgar art to the elegant art. The study of Basyo Matuo＇s Haiku has been limited to traditional literature, aesthetics and so on.Based on cognitive linguistics and cognitive psychology, cognitive poetics is an interdisciplinary research between linguistics and literature. This article analyzes the Haiku of Basyo Matuo and a relationship with Chinese Poems so as to provide a new way of understanding literature.
作者
徐婷婷
Xu Tingting(Guangzhou College, South China University of Technology, Guangzhou,510800)
出处
《重庆社会科学》
CSSCI
2018年第4期122-128,共7页
Chongqing Social Sciences
关键词
俳句
认知诗学
中国诗歌
Haiku
cognitive poetics
Chinese poems
