摘要
早在夏代,苗族先民已熟练掌握植物蓝染,春秋时期,在植物蓝染的基础上创造蜡染技艺。时过境迁,生活在贵州境内大山深处的苗族,把这古老的传统手工操作的原生态蜡染技艺完整传承下来,并且成为自觉的艺术生活方式。苗族传统蜡染服饰与植物蓝染之术以特有蜡染图案符号的形式,依附于服饰,记录传统蜡染服饰色彩审美的原始形态及演进过程,并伴随苗族传统蜡染服饰装饰艺术的形成,成为中国印染文化史的活化石。
In the early Xia Dynasty people have mastered plant blue dyeing and in the Spring and Autumn Period Miao ancestors created batik art on the basis of plant blue. As times alter, the Miao nationality living deep in the mountains in Guizhou handed down the traditional manual batik technique completely based on the ancient plant dyeing, And？become？a？ way？of？life .This essay is trying to explore the art of blue plants dyeing with the relation of the traditional Miao batik dress aesthetic. With plant blue dyeing art, the form of unique batik pattern symbol attached to the clothing, recorded the original form and the evolution of the aesthetic process of traditional batik dress color. The formation of Miao traditional batik dress culture become a living fossil in China dyeing cultural history.
出处
《贵州民族研究》
CSSCI
北大核心
2018年第1期85-88,共4页
Guizhou Ethnic Studies
关键词
植物蓝染
蜡柒
苗族传统蜡染服饰
蜡染图案文化
The indigo dye, Batik Art, traditional batik costumes of Miao, Batik Culture Patter
