摘要
进入20世纪,艺术开始祛魅,目前学界对艺术的理解已进展到艺术界的层次。不同于艺术哲学和美学,艺术人类学的理论建构要基于田野调查和民族志书写。在对具体的艺术田野研究中,要重点注意对地方性和地方感的双重挖掘。前者更多是通过对地方艺术界的结构和功能、艺术的法则等的研究,阐明作为艺术界一般规律的各种人文关系,为艺术民族志夯实社会和文化层。后者则更多是通过对艺术的能动性、艺术界中人的情感、感受等的考察,阐明作为艺术界特殊规律的各种人文关系,为艺术民族志建构艺术层和意义层。地方性知识和地方感知识浑融共成艺术民族志,两者的结合,特别是地方感的视角,为艺术民族志和艺术人类学的理论和方法突破提供了新的可能。
Since the early 20th century, art has begun its disenchantment. In terms of understanding of art, the scholars in anthropology of art have reached a level as high as the artists. Unlike art philosophy and aesthetics, anthropology of art builds its theories on fieldwork and writing of ethnogra-phy. In the fieldwork of specific arts, focus should be placed on research into locality and sense of place. By studying the structure, functions and artistic laws of local arts, locality aims at illuminating the various human relations as the general law of arts to consolidate the social and cultural aspects of ethnography of art. By examining art agency, human emotions and artistic experience in local art com- munity, sense of place is to elucidate the various human relations as the special law of arts to build up the art and meaning layers of the ethnography of art. Knowledge of locality and knowledge of sense of place together constitute the whole of ethnography of art. The combination of the two, especially the perspective of the sense of place opens up a new possibility for theoretical and methodological break- throughs in ethnography of art and anthropology of art.
出处
《思想战线》
CSSCI
北大核心
2018年第1期21-29,共9页
Thinking
基金
国家社会科学基金重点项目"社会转型与传统工艺美术的发展研究"阶段性成果(15AG003)
关键词
艺术界
艺术民族志
艺术人类学
地方性
地方感
art world, ethnography of art, anthropology of art, locality, sense of place
