摘要
佛教在文学中的影响具有一种普遍渗透性质。以此角度对唐代诗人杜甫著名的"秦州—同谷"组诗做出解读,这样一组常被独立阅读和欣赏的纪行诗,实则隐含了一个觉悟有情的成佛叙事。杜甫的自注把十二首单另的诗凝聚为一个有机的整体,我们按照作者自注所指示的那样把"秦州—同谷"诗作为"组诗"进行阅读,会发现组诗的结构只有在读者读到终篇的时候才得以真正建立,而这一结构正是诗人经历种种磨难最终修炼到觉悟有情的叙事结构。《发秦州》以对孔子的回应开篇与收尾,然而组诗却以追寻—觉悟/自我解脱—自我牺牲的佛教叙事结构贯穿始终。因此,在探讨宗教与文学之间的关系时,虽然可以进行多学科交叉的探讨,但出发点是文学研究还是宗教研究,却会为文本带来不同的观照。如果能够做出文学解读,注重诗人用诗歌形式展示和暗示(而不是直接表达言说)的意义,却反而会看到组诗的宗教精神。
The influence of Buddhism on Chinese literature permeates. The paper analyzes Du Fu＇s ＂Qinzhou- Tonggu＂ group poems from the perspective of Buddhism. The group poems, often read and appreciated independently, actually imply conscious narration of reaching Buddha. Du Fu＇s self-annotation combined 12 separate poems into an or- ganic whole. If the ＂Qinzhou-Tonggu＂ poems are read as Du Fu indicated in his self-annotation as a group, readers can find that the structure of the group poems are not complete until the last poem of the group. This structure reflects the trials and final epiphany of the poet which is a kind of Buddhist narrative structure. The poem ＂Fa Qinzhou＂ begins and ends with its echoes with Confucius, while the Buddhist narrative structure of quest-self-release-self-sacrifice runs through it. Even though the relationship between religion and literature could be discussed in the multi-discipline way, the perspec- tive of literary studies or religious studies will bring about different readings. Focusing on the form and suggestions of the poems, a literary reading reveals the religious spirit of the group poems.
出处
《上海师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2018年第1期106-113,共8页
Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
关键词
佛教与文学
“秦州-同谷”组诗
佛教解读
觉悟叙事
Buddhism and literature, ＂Qinzhou-Tonggu＂ group poems, Buddhist reading, conscious narration
