摘要
纪录片作为文化产业的重要商品样式和国家宣传体系的主要载体,在政策、环境和媒体等因素的共同影响下已经拥有了前所未有的发展前景。在这一语境之下,如何制作出既接地气又具有精神向度的文化产品,进而承担起中国乡村纪录片的传播功能和传承使命,成为广大媒体人的共同追求。出身于农村的摄影师焦波,凭借多年来对农民与乡村的深切理解和生活实录,相继推出了纪录片《俺爹俺娘》和《乡村里的中国》,并引起了社会的巨大反响。研究以此为切入点,探讨了乡村纪录片应有的历史职能、精神向度和美学品格。
As an important cultural commodity type and a major vehicle of national publicity, documentary films now enjoy unprecedentedly promising prospective, thanks to the dynamics from Chinese policy, environment and media factors. Such a situation calls Chinese mass media practitioners to make socially realistic and spiritual idealistic cultural products that publicize the rural China and inherit it culture. The works of rural -born photographer Jiao Bo give an answer. Owing to his years -long observation and understanding of Chinese peasants and the rural part of the country, he yielded his amazing documentary films My Mother, My Father and The Rural China. With a case study of the works, this paper explores the indispensable elements of rural -themed documentary films： historical missions, spiritual pursuits and aesthetic qualities.
出处
《井冈山大学学报（社会科学版）》
2017年第5期121-126,共6页
Journal of Jinggangshan University(Social Sciences)
基金
国家社科基金项目"提升中国文化在东盟的影响力研究"(项目编号:13BMZ048)
关键词
传播与传承
乡村纪录片
精神向度
美学品格
publicity and inheritance
rural-themed documentary films
spiritual pursuits
aesthetic quali-ties
