摘要
"苗学"研究方兴未艾的今天,针对清代甚至更早的苗民生活状况与建筑场景信息的系统整理与研究仍较为缺失。因此,对原生于清中叶"改土归流"时期、又经传抄150余年的各抄本《百苗图》系列民族志图谱进行"全息投影",透过文人职官的"他者"视角,围绕苗民历史生活境况对其进一步梳理,便显得尤为必要。文章结合文献学、图像民族志学、民俗学等多学科方法,对上千幅图文进行研究整理,从古今对比、地理分布、族际关系等多种维度首次系统性地剖析苗族(也包括少量通行苗瑶语族语言的其它少数民族支系)建筑文化的多样性,力图厘清苗民生活源流脉络,为在历史的混沌中打通窥视的孔径,在其间重构众生图景,从而给后续共时的田野观察提供参照研究的基础。
The study of the Miao people is currently a hot topic, but systematic research on their living conditions and architectural images dating from the Qing Dynasty or even earlier are almost absent. Therefore, the study of the historical living conditions represented in Bai Miao Tu（Atlas of Miaos） created during the bureaucratisation of native officers in the 18 th century and reproduced in the following 150 years is particularly necessary. In this article, multidisciplinary methods such as philology, iconography, ethnography and folklore studies are applied for the analysis of Bai Miao Tu. Thousands of images and texts are categorised, and the diversity of Miao architectural culture is analysed systematically from different angles, such as the comparison of ancient and modern images, geographical distribution, and ethnic relations. This article attempts to clarify the origins and development of Miao people＇s lifestyle and reconstruct their historical living conditions, so as to provide a research base for synchronic fieldworks in the future.
出处
《建筑遗产》
2017年第4期80-97,共18页
Heritage Architecture
基金
国家自然科学基金(51678415
51738008)~~
关键词
《百苗图》图谱
清代苗民
建筑场景信息
古今生活图景
Bai Miao Tu series
the Miao nationality in the Qing Dynasty
information of architectural settings
scenes of everyday life in the ancient and modern times
