摘要
在全球文化的"趋同"与地域文化符号化、表皮化的大背景下,以批判的地域主义为理论基础,重新审视该理论对我国少数民族直过区传统民居建筑的保护和传承的适应性发展。通过干一它村傈僳族传统民居建筑改造实践,提出回归本土居民的批判性思考,更多地关注民居建筑物理环境的舒适性、空间组织的地域适应性和地方依恋的地域载体,以弥补当下批判的地域主义实践在系统性考虑本土居民的需求上的缺失,探索传统民居建筑改造如何在传承中创新。
In the background of the ＂convergence＂ of global culture and the symbolization and superficiality of regional culture, this paper takes the critical regionalism as the theoretical basis and re-examines the adaptable development of the theory for the protection and inheritance of Chinese traditional folk houses in ethnic groups without land-reform. Through renovating the traditional folk houses of the Lisu nationality in Ganyita village, we trace back to the natives and focus on the comfortability of the physical environment of the folk houses, regional adaptability of the space organization and the regional carrier of emotional attachment, to make up for the lack of systematical consideration of the needs of local residents in the current practice of critical regionalism, in order to explore how to renovate the folk houses with innovation on the basis of inheritance.
出处
《南方建筑》
2017年第5期109-115,共7页
South Architecture
关键词
批判的地域主义
傈僳族民居改造
物理环境
空间组织
地方依恋
critical regionalism
renovation of Lisu folk houses
physical environment
space organization
place attachment
