摘要
庞德的《七湖诗》,是基于日本佐佐木玄龙绘八景图玉涧题诗的英译而创作。本文通过史料耙梳,分析玄龙八景图题诗款识玉涧的致因及日本八景诗形成的背景,探讨日本八景如何展开。以八景中"远"意为例,论考八景诗"远"意象在东渐西传中的意蕴流变。旨在厘清史实,以期从更深层面认识潇湘八景融通东西文化的意义。
Ezra Pound’s “The Seven Lakes” was based on the English translation of Yu Jian’s poem inscribed in the paintings of “Eight Views of Xiaoxiang” by Sasaki Genryu. Through examining historical materials,this article analyzes the reasons why, during its spread to the West and East,Yu Jian was mistaken as the author of the poem. It also discusses the contexts of “Eight Views of Xiaoxiang” and how they are spread in Japan by using the image of “distance.” Hence,the significance is recognized of “Eight Views of Xiaoxiang” in connecting Eastern and Western culture.
出处
《外国语言与文化》
2017年第1期66-76,共11页
Foreign Languages and Cultures
基金
湖南省教育厅学位与研究生教育教学改革课题"典籍解读
文艺批评
汉诗赏析及汉日翻译统合教学法研究"(15JG04)
关键词
潇湘八景
远意
庞德《七湖诗》
“Eight Views of Xiaoxiang”the image of distance,Ezra Pound,“The Seven Lakes”
